DAKOTA WARREN / SITE-SPECIFIC ART
Concepts & Proposals

The ideas behind the commissions.

These are the proposals, the projects I competed for, some to finalist, some not. Not everything gets built, and that's the point of showing them: the thinking is the archive. It's also where the most ambitious work lives, the pieces that step off the wall and into three dimensions, because a design has to break from the flat to mean much at all.

Texas Tech core-sample maquette
FINALIST · 2013

The Core Sample

Texas Tech University · Experimental Sciences Building · Lubbock, TX

Texas Tech needed one piece to do two jobs, sculpture and landscape, in a courtyard built to survive Lubbock's dust and sun. I proposed a form that reads like a core sample pulled from the ground: a stacked-glass core that looks wet without a drop of water, sheathed in polished stone. Built for scientists, and built to outlast them.

The Call

Half the funding sat in a landscape budget, so the art and the planting had to be a single gesture. Water features were discouraged in the dry climate, and the audience was mostly scientists. I treated all of it as the brief, not the obstacle.

The site Courtyard plan Asymmetric footprint

The site, the courtyard plan, and the deliberately asymmetric footprint.

From Clay to Stone

It started in clay. I worked the asymmetry by hand until the footprint felt subtly wrong on purpose, then resolved the form for cast and carved stone, with the elliptical core closing near the top.

Clay maquette Resolved top form Alternate angle
The Piece

The finished maquette. The core is stacked, cut glass, its leading edges catching light so the surface reads like moving water. The shell is polished natural stone, seamed so finely it looks like one solid block of sedimentary rock. Every fabrication and installation plan was drawn to conservator standards, to hold up against sun, heat, and decades of daily hands.

Glass core, front Glass core, side Cut-glass detail
The Living Wall

Up the back, a cutaway holds a living wall of desert succulents that shifts with the seasons, so the piece keeps changing long after it is installed. No cactus, no Southwest cliché, closer to an extraterrestrial garden that only grows more at home on its site with time.

Glass core against the living wall
"It's like a core sample naturally jutting out of the ground."Dakota Warren — from the finalist presentation
Sandstone
Polished stone
Glass core
Living wall
Basalt
Castle Rock welcome-art proposal
FINALIST · 2024

Gateway

Town of Castle Rock, CO · I-25 & Wilcox Street

Castle Rock wanted a landmark to welcome drivers off the interstate: colorful, lit day and night, built to last fifteen years, and careful not to block the view of the rock the town is named for. I proposed a luminous screen of colored, light-catching panels that reads as a beacon by day and glows after dark.

The Call

A gateway commission for the corner of I-25 and Wilcox Street, the first thing travelers see arriving in downtown Castle Rock. The brief asked for something large, colorful, and durable: a true welcome that could stand for years with almost no maintenance and never compete with the landmark butte behind it.

Sedimentary Lines sculpture on the Northwest College campus
Northwest College · Powell, WY

Sedimentary Lines

Yellowstone Academic Building

A commission for Northwest College in Powell, Wyoming, and a close cousin of the Texas Tech core sample. I built the design around sedimentary banding and tested it at full twelve-foot scale on site: a bright, layered composition engineered for the high plains.

The Concept

The design reads as bands of sediment stacked and lit, standing as a vertical marker on the campus green. Before committing, I produced a full-scale, twelve-foot mock-up to check how the piece would hold the site and the light in the real world.

The campus site Perspective and material study

The site, and one of the perspective and material studies.

Landscape, a sun and water mosaic concept board
Concept study

Landscape

Sun & water mosaic

A study for a sun-and-water mosaic: oversized hand-painted ceramic tile for the sea and sky, stacked tinted glass for the sun and a circular water relief up to four inches deep, and a sandy beach sculpted from natural, earthen-textured clays.

More concepts in progress Still being added, the same way, the call then the concept: Golden, Colorado; the Alutiiq ceramic mural for Homer, Alaska; the Oregon City Municipal Elevator; a second Texas Tech commission; and more.